{"id":4,"date":"2009-08-16T11:41:23","date_gmt":"2009-08-16T10:41:23","guid":{"rendered":"http:\/\/sarahjyoung.com\/site\/?page_id=4"},"modified":"2016-07-11T15:23:42","modified_gmt":"2016-07-11T15:23:42","slug":"publications","status":"publish","type":"page","link":"https:\/\/sarahjyoung.com\/site\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"

Books<\/strong><\/p>\n

Dostoevsky\u2019s \u2018The Idiot\u2019 and the Ethical Foundations of Narrative: Reading, Narrating, Scripting<\/em> (London: Anthem, 2004)<\/p>\n

Dostoevsky: On the Threshold of Other Worlds. Essays in Honour of Malcolm Jones<\/em>, ed. Sarah Young and Lesley Milne (Ilkeston: Bramcote, 2006)<\/p>\n

Articles<\/strong><\/p>\n

\u2018Kartina Gol\u2019beina \u201cKhristos v mogile\u201d v strukture romana Idiot\u2019, trans. T. A. Kasatkina, in Roman Dostoevskogo \u2018Idiot\u2019: Sovremennoe sostoianie izucheniia<\/em>, ed. T. A. Kasatkina (Moscow: Nasledye, 2001), pp. 28-39<\/p>\n

\u2018Bibleiskie arkhetipy v romane F. M. Dostoevskogo Idiot,\u2019 trans. E. Kuryleva and S. Young, in Evangel\u2019skii tekst v russkoi literature: tsitata, reministsentsiia, motiv, siuzhet, zhanr<\/em>, Vol. 3, ed. V. N. Zakharov et al (Petrozavodsk: Izdatel\u2019stvo Petrozavodskogo Universiteta, 2001), pp. 382-390<\/p>\n

\u2018Dostoevskii\u2019s Idiot and the Epistle of James<\/a>\u2019, Slavonic and East European Review<\/em>, 81, 3 (July 2003), 401-420<\/p>\n

\u2018Nastas\u2019ia Filippovna: k voprosu o printsipakh izobrazheniia geroini v romane Idiot\u2019, trans. S. Young and I. Shlumukova, in Dostoevskii i mirovaia kul\u2019tura<\/em>, 18, 2003, pp. 40-46<\/p>\n

\u2018Holbein\u2019s Christ in the Tomb in the Structure of The Idiot\u2019, Russian Studies in Literature<\/em>, 44.1 (Winter 2007-8), 90-102<\/p>\n

\u2018The Convict Unbound: The Body of Identity in Gulag Narratives\u2019, Gulag Studies<\/em>, 1 (2008)<\/p>\n

\u2018Varlam Shalamov<\/a>\u2019, The Literary Encyclopedia (November 2009)<\/p>\n

\u2018\u201cHakuchi\u201d to Holbein \u201cHakano nakano Kirisuto\u201d,\u2019 (\u2018The Idiot<\/em> and Holbein\u2019s Christ in the Tomb<\/em>\u2019), trans. K. Norimatsu, Gendai Shiso<\/em> (Contemporary Thought<\/em>), 38.4, special issue: Dostoevsky<\/em>, ed. T. Mochizuki (2010), 298-307<\/p>\n

\u2018Kolyma Tales<\/a>\u2019, The Literary Encyclopedia (February 2011)<\/p>\n

\u2018Recalling the Dead: Repetition, Identity, and the Witness in Varlam Shalamov\u2019s Kolymskie rasskazy<\/em><\/a>‘, Slavic Review<\/em>, 70.2 (Summer 2011), 353-72<\/p>\n

‘Dostoevsky: Fantastic Realism,’ in\u00a0The Cambridge Companion to European Novelists<\/em>, ed. Michael Bell (Cambridge: Cambridge University Press, 2012), 259-76<\/p>\n

‘Mapping Space as Factography: Human Traces and Negated Genres in Varlam Shalamov’s <\/a>Kolymskie rasskazy<\/a>,’\u00a0Slavonica<\/em>, 19.1 (April 2013), 1-17<\/p>\n

(with John Levin), ‘Mapping Machines: Transformations of the Petersburg Text’, ‘The Spatial Turn in Literary Studies,’\u00a0\u00a0Primerjalna knji\u017eevnost<\/em><\/a>\u00a0(Comparative Literature)\u00a036.2 (2013), 107-118<\/p>\n

‘Knowing Russia’s Convicts: The Other in Narratives of Imprisonment and Exile of the Late Imperial Era<\/a>,’ Europe-Asia Studies<\/em>: 65.9 (2013), 1700-1715 (Special issue: Villains and Victims: Violence, Justice, and Retribution in the Late Imperial and Early Soviet Eras)<\/p>\n

‘Testimony on the margins: silence, innocence and the other in Vasily Grossman’s late fiction<\/a>,’ Journal of European Studies<\/em>, 43.4 (2013), 329-343 (Special issue: Vasily Grossman)<\/p>\n

‘Criminalizing Creativity in the Imperial and Soviet Eras: Language, Performance and the Representation of Convicts in \u00a0Imperial and Soviet Era Prisons and Penal Colonies,’ in Punishment as a Crime? Interdisciplinary Perspectives on Prison Culture<\/em><\/a>, ed. Julie Hansen and Andrei Rogatchevski\u00a0(Uppsala University: Acta Universitatis Upsaliensis, 2014), 69-87<\/p>\n

‘Vospriiatie i izuchenie tvorchestva F. M. Dostoevskogo v Velikobritanii 1980-2010,’ in Dostoevskii: Materialy i issledovaniia<\/em>, 20 (St Petersburg: Nauka, 2014), 119-42; ‘Bibliografiia,’ 490-504<\/p>\n

‘Selected Bibliography of Gulag Narratives and Secondary Sources,’ Gulag Studies<\/em>, 7-8 (2014-15), 110-40<\/p>\n

‘The Crystal Palace,’ in Dostoevsky in Context<\/em>, ed. Deborah Martinsen and Olga Maiorova (Cambridge University Press, 2016), 176-84<\/p>\n

Book reviews<\/strong><\/p>\n

Peter C. Pozefsky, The Nihilist Imagination: Dmitrii Pisarev and the Cultural Origins of Russian Radicalism<\/em> (1860-1868) (New York: Peter Lang, 2003), Slavonic and East European Review<\/em>, 82, 2 (2004), 327-9<\/p>\n

Robert Louis Jackson, ed., A New Word on \u2018The Brothers Karamazov\u2019<\/em> (Evanston, IL: Northwestern University Press, 2004), Slavonic and East European Review<\/em>, 83, 1 (2005), 128-30<\/p>\n

Nathaniel Golden, Varlam Shalamov\u2019s \u2018Kolyma Tales\u2019: A Formalist Analysis<\/em> (Amsterdam & New York: Rodopi, 2004), Slavonica<\/em>, 11, 1 (2005), 98-99<\/p>\n

Marcus C. Levitt and Tatyana Novikov, eds., Times of Trouble: Violence in Russian Literature and Culture<\/em> (Madison: University of Wisconsin Press, 2007), Slavonica<\/em>, 14.2 (2008), 140-2<\/p>\n

Susan McReynolds, Redemption and the Merchant God: Dostoevsky\u2019s Economy of Salvation and Antisemitism<\/em> (Evanston, IL: Northwestern University Press, 2008), Modern Language Review<\/em>, 104.1 (2009)<\/p>\n

Jostein Bortnes, The Poetry of Prose: Readings in Russian Literature<\/em> (Bergen: Slavica Bergensia, 2007), Modern Language Review<\/em>, 104.2 (2009), 301-2<\/p>\n

Robin Feuer Miller, Dostoevsky\u2019s Unfinished Journey<\/em> (New Haven and London: Yale University Press, 2007), Slavonic and East European Review<\/em>, 88.3 (2010), 536-8<\/p>\n

Edward E. Ericson, Jr. and Alexis Klimoff, The Soul and Barbed Wire: An Introduction to Solzhenitsyn <\/em>(Wilmington, DE: ISI Books, 2008), Canadian Slavonic Papers<\/em> (forthcoming)<\/p>\n

Nancy Ruttenburg, Dostoevsky\u2019s Democracy<\/em> (Princeton University Press, 2008) Slavonica<\/em>, 15.1 (2009), 72-3<\/p>\n

Rowan Williams, Dostoevsky: Language, Faith and Fiction<\/em> (London: Continuum, 2008), Slavonica<\/em>, 15.2\u00a0(2009), 166<\/p>\n

Sergei Golitsyn, Memoirs of a Survivor: The Golitsyn Family in Stalin\u2019s Russia<\/em>, trans. Nicholas Witter (London: Reportage, 2008), Slavonic and East European Review<\/em><\/p>\n

Linda Ivanits, Dostoevsky and the Russian People<\/em> (Cambridge University Press, 2008), Modern Language Review<\/em>, 104.4 (2009)<\/p>\n

Janet G. Tucker, Profane Challenge and Orthodox Response in Dostoevsky\u2019s ‘Crime and Punishment’<\/em> (New York and Amsterdam: Rodopi, 2008), Modern Language Review<\/em>, 105.1 (2010)<\/p>\n

Joseph Frank, Dostoevsky: A Writer in his Time<\/em> (Princeton, NJ: Princeton University Press, 2010), Slavonica,<\/em>\u00a016.2 (2010), 156<\/p>\n

Carol\u00a0Apollonio, Dostoevsky\u2019s Secrets: Reading Against the Grain<\/i> (Evanston, IL, 2009), SEER<\/i>, 89.1 (2011), 133-5<\/p>\n

Jekaterina Young, Sergei Dovlatov and His Narrative Masks<\/i> (Evanston, IL, 2009), SEER<\/i>, 89.2 (2011), 333-4<\/p>\n

Joseph Frank, Between Religion and Rationality: Essays in Russian Literature and Culture<\/i> (Princeton, NJ, 2010), Slavic Review<\/i>, 70.3 (2011), 709-10<\/p>\n

Ksana Blank, Dostoevsky’s Dialectics and the Problem of Sin<\/i> (Evanston, IL, 2010), The Russian Review, <\/i>70.2 (2011), 323-4<\/p>\n

Carol Apollonio, ed., The New Russian Dostoevsky: Readings for the Twenty-First Century <\/i>(Bloomington, IN, 2010), SEER<\/i>, 89.4 (2011), 707-9<\/p>\n

James Goodwin, Confronting Dostoevsky’s Demon: Anarchism and the Specter of Bakunin in Twentieth-Century Russia <\/i>(New York, 2010), SEER<\/i>, 90.1 (2012), 133-4<\/p>\n

Vlas Doroshevich, Russia’s Penal Colony in the Far East: A Translation of Vlas Doroshevich’s ‘Sakhalin’,<\/i> by Andrew A. Gentes (London), 2009, Slavonica <\/i>(2012)<\/p>\n

Robert Bird, Dostoevsky<\/i>. Critical Lives Series (London: Reaktion, 2012) Modern Language Review<\/i>, 108.3 (July 2013), 1015-16<\/p>\n

Joe Andrew and Robert Reid, eds. Aspects of Dostoevskii: Art, Ethics and Faith<\/i> (Amsterdam: Rodopi, 2012), Slavonica<\/i>, 19.1 (April 2013), 69-70<\/p>\n

Anna Schur, Wages of Evil: Dostoevsky and Punishment <\/i>(Evanston, IL: Northwestern University Press, 2012), Modern Language Review<\/i>, 109.1 (2014)<\/p>\n

Translations<\/strong><\/p>\n

\u2018Andrei Tarkovsky\u2019, by Evgeny Dobrenko, in John Merriman and Jay Winter, eds. Europe since 1914<\/em>, 5 vols. (Detroit: Charles Scribner\u2019s, 2006)<\/p>\n

Museums of the Revolution<\/em>, by Evgeny Dobrenko (Edinburgh University Press; Yale University Press, 2008)<\/p>\n

Resurrection of the Larch<\/a>, by Varlam Shalamov, in Cardinal Points Literary Journal, vol. 3 (2011)<\/p>\n","protected":false},"excerpt":{"rendered":"

Books Dostoevsky\u2019s \u2018The Idiot\u2019 and the Ethical Foundations of Narrative: Reading, Narrating, Scripting (London: Anthem, 2004) Dostoevsky: On the Threshold of Other Worlds. Essays in Honour of Malcolm Jones, ed. Sarah Young and Lesley Milne (Ilkeston: Bramcote, 2006) Articles \u2018Kartina Gol\u2019beina \u201cKhristos v mogile\u201d v strukture romana Idiot\u2019, trans. T. A. Kasatkina, in Roman Dostoevskogo […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2MwXo-4","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sarahjyoung.com\/site\/wp-json\/wp\/v2\/pages\/4","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sarahjyoung.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sarahjyoung.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sarahjyoung.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sarahjyoung.com\/site\/wp-json\/wp\/v2\/comments?post=4"}],"version-history":[{"count":16,"href":"https:\/\/sarahjyoung.com\/site\/wp-json\/wp\/v2\/pages\/4\/revisions"}],"predecessor-version":[{"id":7314,"href":"https:\/\/sarahjyoung.com\/site\/wp-json\/wp\/v2\/pages\/4\/revisions\/7314"}],"wp:attachment":[{"href":"https:\/\/sarahjyoung.com\/site\/wp-json\/wp\/v2\/media?parent=4"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}